In my last post, I wrote a version of the story ‘The Queens Journey’. It’s probably the story that has had the biggest impact on me in my life, and the one I’ve told the most often. I thought I might use this post (and perhaps the next couple of blog posts) to wonder aloud why this might be so.
I remember at school (now over 50 years ago) never being able to feel that scientific explanations of the world were satisfying. When we studied light, or energy, or momentum, or the periodical table, there were always questions unanswered. At the time, I couldn’t work out what the questions were, except they had something to do with, ‘So what is it that causes all of this to happen?’ When we were studying photosynthesis, for example, or life cycles, it seemed that the scientific explanations always stopped short of explaining what it might be that lay the heart of all these processes, what it was that animated them, gave them life, set them going, made them happen.
I went to a religious boarding school (prayers every day, chapel at least once and often twice on Sundays), and perhaps I might have believed that the answer lay in the Bible or in the stories the chaplains told us. But I wasn’t convinced of this either. Both explanations – the scientific and the Christian – seemed to stop short of venturing into the territory that seemed most interesting to me, territory which seemed connected to uncertainty, complexity and mystery. Nor did either of these two explanations talk to each other. There was lots of talk about complexity in science and mystery in chapel, but neither was quite what I think I was sensing was missing (though I had no words for it, no real way of articulating this to myself or anyone else).
Much later in life, I was introduced to Jung’s thinking, and then, through him, to the world of Western philosophy and discussions about ‘the thing-in-itself’. All that seemed much more interesting. What animates the world? ‘Nature naturing’ (Spinoza)? Will (Schopenhauer)? ‘The will to overcome’ (Nietzsche)? These seemed attempts to name what seemed to be left out of the scientific and Christian explanations. These seemed to be attempts to enter into a kind of grappling with mystery, complexity and uncertainty.
Then I remember seeing an interview with Joseph Campbell where he talked about the masks of god, and how we humans are not capable to looking directly at the source of all being, but can only get glimpses through contemplating masks and signs. At around about this time I began to realize that this is what certain kinds of stories did for me. They gave me glimpses. I remember writing in my Masters thesis the undoubtedly unoriginal (but new to me) insight that it made sense to think of our DNA as being animated by the same energy, and being structured by the same patterns, that we find in the big stories. Or at least that in telling and hearing these big stories, we were somehow ‘in the presence of the life force’. And that this was about as close as we would ever to get to being able to think about this ‘thing-in-itself. Or at least as close as I would ever get.
For me, the story of the Queen’s Journey is a story about what’s in our DNA.
I imagine DNA as being characterised by all these little electrical charges, full of attractions and repulsions, operating according to patterns that we experience all the time and yet which feel mysterious. We sense our lives being shaped by unknown forces, and at the same time we operate as if it’s we ourselves who are calling the shots. Active and passive. Potent and impotent. Attractions and repulsions. Impulses and resistances. Possibilities and limits. Lots of opposites, lots of tensions. Jung’s writing is full of them.
So is the Queen’s Journey.